Book

A book is often considered a medium for recording information. This can be in the form of writing or images on pages, and; the book is composed of many pages, which can be made from papyrus, parchment, vellum, or paper, and bound together and protected by a cover. Generally, a book is marked by a certain length of the written message it contains, and is intended for public circulation. And theA book works to offeroffers a portable and permanent way to tradedistribute information betweento individuals, and in so doing, has a chance to transcend time and space to transmit that knowledge.

Books have been a part of the preservationpreserving and dissemination ofdisseminating knowledge of every literate society in history. In saying that, the form, content, and provisions for making and distributing books have varied during their history, with only the variety of content matching the variety of form.

The word "book" comes from the Old English word boc, which means "writing or written document" and is believed to refer to the Proto-Germanic *bōk(ō)-, from *bokiz "beech.". This is believed to refer to the notion of early Germanic writings on beechwood tablets, but could be for the tree itself and the beech tree barksbark's resemblance to paper. This is similar to the French livre, from the Latin librum, which refers to the "inner bark of trees."

The original Old English word referred to any written document, with the sense gradually narrowing by the early Middle English to mean "a written work covering many pages fastened together and bound" and also any literary composition in any form. This narrowed explanation then later included any bound pages, whether written on or not, and extended to magazines in the 19thnineteenth century and a telephone directory in the 20thtwentieth century.

Books tend to be largely classified as either fiction or non-fictionnonfiction. Within these types of books, there are dozens of more specific types or genres.

Non-fictionNonfiction books are any books that contain factual information, or are intended to be factual in their content. This can include books such as biographies or history books. Other examples of non-fictionnonfiction books can include non-fictionnonfiction journals, such as The Diary of Anne Frank, dictionaries, encyclopedia, travel books, and "how to" books.

Fiction books are those that contain a storystories that isare considered largely or completely made up, and. althoughAlthough a fiction book may have elements of truth, such as true moments in history, or true facts, the focus of a fiction book is not to tell a truth or a factual narrative suchlike aswith non-fictionnonfiction books. bookRather, butthe ratherintention is intended to tell a story that can exist in a true environment, and can even include true protagonists, but have inhas some elements eitherthat beenare exaggerated, elaborated, or fabricated. Classic examples of fiction include Ernest Hemingway's The Sun Also Rises, Harper Lee's To Kill a Mockingbird, and Zora Neale Hurston's Their Eyes Were Watching God.

The definition of the book has been challenged through the 21sttwenty-first century and the age of e-readers. These devices have an implicit argument in the act of digitizing a book and removing the bound text from the shelf to suggest it is as good as digital bits. This ignores the book as an object, rather than just the words and information inside them. And theseThese objects are manufactured and owned, and often marked by pencils, time, coffee cups, and oils from a reader's skin, giving the object a story of its own. The story of that object continues in the annotations or notes whichthat tell a story of the previous readers' reading and understanding of the book.

The object of the book tells a second story, which can be rooted in the history of reading in the 19thnineteenth century. This regards the pages, which have been prized at any point in history for scrap paper capable of being used to make a list as it has been for any literary value. While, throughThrough most of history, and especially at the beginning of the 19thnineteenth century, paper was expensive, with the process of turning wood pulp into clean sheets not yet developed. However, through the 19thnineteenth century, paper got cheaper, and books got cheaper, and the objects gained popular and literary value.

The book as an object of the book, with theits production of a book, the smell, texture, ease of reading, and the pride people take in a well stockedwell-stocked bookshelf, makes booksthem more than a vesselvessels for content, but an objectobjects with appeal. The form of the book, the size and shape, paper stock, printing, cover type, and binding create an appeal and an anticipation for a reader, with a certain ceremony around the purchasing, borrowing, or reception of a book.

ThisThe value of the physical book is challenged, and largely ignored, by the increasingincrease in digitization of books, with the concept of a book further shifting from a physical object, to instead refer to a pattern of organization forwith the purposespurpose ofto tellingtell a story, or the organization oforganize information for giving information a narrative. This is especially astrue with books such as an encyclopedia, dictionarydictionaries, thesaurusthesauri, travel bookbooks, orand cookbookcookbooks - (many of the non-narrative non-fictionnonfiction books) being replicated with great success online. This has reduced the usefulness and attractiveness of the printed version -of these books. However, readers continue to prefer and value the book as an object, as the physical book can transcend time and have been replicated with great success online, and reduced the usefulness and attractiveness of the printed version of these books. However, readers and individuals continue to prefer and totangible value the book as an object, as the ability for the object of a book to transcend time, which has not been done by digitized information in any meaningful way, continues to give the book a tangible value.

Books have been a part of human history and a tool for knowledge gatheringknowledge-gathering and societies since the ancient times. TheseThey have been used to tell histories, stories, and share necessary information, with some of the oldest record keepingrecord-keeping focused on taxes. Although the material and the form of books have changed over time, some of the oldest known "book-like" objects date back to the 4thfourth millennium BCE.

The earliest known writing that has survived comes from Mesopotamia, dating back to as far as the 7thseventh century BCE. These were the first objects werethat served as ways of storing information and were clay tablets, on which they made markings using a triangle-endingtriangle-ended instrument called the calamus, which was the stem of a reed plant sharpened to a point. The calamus etched wedge-like writing created by the calamus, cuneiform, were etched into wet clay. The whichclay werewas then dried through fire. More than 20,000 such tablets were found at Nineveh, modern Iraq, and were believed to have been part of the library and archive of the kings of Assyria. Tablets would remain a common writing tool until the 19thnineteenth century (though some argue they are back), as they moved from clay tablets, to wax tablets, which offered reusable writing faces, to chalk-board tablets.

Following Mesopotamia, and developing alongside the societies of the fertile valley, the Egyptians developed a different method of writing, with some historians believing this script was developed around 3000 BCE. Egyptians were found to have written on many different surfaces, including metal, leather, clay, stone, and bone. Most prominent was the practice of using reed pens to write on papyrus scrolls. Papyrus was an ideal material for Egypt ofat the time, as it was made using reeds whichthat grew plentifully in the Nile Valley, and. individualIndividual scrolls were found as long as 113 feet, and often being 7 to 10 inches wide.

As writing and literacy grew across the Mediterranean, Egypt grew and maintained a monopoly over the papyrus trade. Many of the scrolls developed from these papyrus were housed in large libraries, which acted both as repositories of knowledge and displays of political power. However, as with most monopoly'smonopolies, Egypt's peers began to grow tired. This, in part, led to the development of another material, parchment, which was made from treated animal skins that were scraped into a thin, flexible, and even surface.

Parchment had several advantages over papyrus: it was more durable, both sides could be written on, and it'sits trade wasn't monopolized by the Egyptians. The spread of parchment coincided with the development of one of the earliest analogues of the book. This came between the 2ndsecond and 4thfourth centuries, as Romans began sewing folded sheets of papyrus or parchment together, and binding those sheets between wooden covers. Called a codex, the object had a similar structure to modern books. At the time, the codex provided an easier to handleeasier-to-handle, more portable, and less expensive alternative to scrolls.

Following the fall of the western Roman Empire, during the 5thfifth century CE, and the dominance of "barbarian" cultures through the European continent, the existence of books in a large portion of the Christian world was considered to have been threatened. The church of the time withstood the perceived assaults, providing refuge for books, and offering a large readership as monks were generally literate, and are generally considered to have enjoyed reading books. The monasteries set up libraries to store books, and during this time, historian and grammarian Cassiodorus, who served the Ostrogothic kings, retired from public life around 540 CE and found a monastery to establish a scriptorium in Vivarium.

Here, he supervised the copying of books, wrote a guide to learning, composed works that presented writers as models, discussed rules for editing, and suggested procedures for establishing a scriptorium and a library. Following this and other examples, monastic houses throughout Europe and the Middle Ages had libraries and scriptoria where monks copied books to add to their collections. OftenFrequently these scriptoriums were spare, often a large, single large rooms, andthat were often only used during daylight hours, without heat or artificial light fromfor fearsfear of fire. This was also the period wherewhen the illuminated manuscripts were developed.

A book would be handed to an illuminator who would supply any needed illustrations or decorative devices before the book was bound. The process was slow, with a monastic library with as many as 600 volumes considered large, while the ancient libraries were believed to have housed as many as 10,000 volumes. Illuminating a manuscript would include painted embellishments, illustrations, decorative capital letters, and ornate borders. The processprocesses of scholarship, and copying books, were considered by the monks of the Middle Ages to be a way to get closer to God, even if the works that were read and copied were secular works. Books during this period in Europe were so highly valued that some scribes placed "book curses" at the front of manuscripts to curse any who stole or defaced a copy.

The invention of paper was another important step in the historical development of the book, and for all human civilizations, as it offered a cheaper, and more easily manufactured material to print on, compared to papyrus or parchment. The invention of paper came in China, with popular Chinese history pointing to the invention of paper in 105 CE, under the Han Dynasty emperor Ho-Ti, when a government official named Ts'ai Lun (Cai Lun) began making paper by mixing chopped mulberry bark and hemp rags with water,; whichthis was then laid out to dry in the sun, with the water pressed out.

However, despite this narrative, there is archaeological evidence of primitive paper types from the 2ndsecond century BCE in China, largely using hemp. It is considered that the invention of this early form of paper was accidental, with it being the result of clothes being left too long after washing and forming a residue whichthat could be pressed into a new useful material. But following Ts'ai Lun's innovation, further experiments into the production of paper were undertaken, using the fibers of different plants, grasses, vegetable matter, hemp, and tree bark to find the cheapest mix of materials to produce quality paper.

One such experimentation saw the use of rattan wasbe replaced with bamboo fibers as the most common material, with the change dating to the 8theighth century CE, and. oneOne reason beingfor this was the rattan plant was slow growing and had been wiped out in certain regions of China, while bamboo grew much faster than both rattan and hemp, another common raw material for paper production. The Chinese attempted to keep the secret of papermakingpaper-making, similar to silk, but the secret was eventually leaked when a group of papermakerspaper-makers were taken prisoner by Arabs following the Battle of Talas. This turned Baghdad into a major producer of paper, and helped paper spread to Medieval Europe.

This occurred as Italians were able to bring paper-making technology from Egypt into Italy, around 1250 CE, and from there make and sell paper across Europe. The paper industry in Egypt and parts of Europe would be destroyed in the Black Death plague, which saw, around 1338 CE, French monks begin to make their own paper, using water wheels to power paper mills, further cheapening the paper production process. The production of paper continued to spread across Europe, with the early paper production beginning in Germany around 1411, in where they produced paper from linen rags.

The next important development in the history of the book to come from China, from the Tang (618-906 CE) and Song (960-1279 CE) dynasties, respectively, was the invention of woodblock printing, and eventually of moveable type. Woodblock printing came, in part, from the development of and use of seals, which were used to make impressions of clay and silk, and the practice of taking rubbings from inscribed texts from bronze and stone reliefs. In woodblock printing, a carved wooden block would carve out a negative image of the text, which would be inked and,. whileWhile the ink was wet, a piece of paper was laid over it. The printer would brush the back of the paper to cause the ink to imprint. This allowed for printing on only one side of a page.

The invention of woodblock printing saw Buddhists printing all of their scriptures, an effort that required an approximate 130,000 woodblocks and took around 12twelve years to complete. As well, different texts spread around the nearby world, as evidenced by a Buddhist scroll that was discovered in Korea, likely printed in China around 704 and 751 CE. More of a technology development, as seen with a scroll Buddhist scroll discovered in Korea, likely printed in China around 704 and 751 CE. And, more of a technology development, was a Japanese text, is dated to around 7640-770764-770 CE, and commissioned by Empress Shotoku. One of the more famous printed documents, it is considered one of the oldest books, the Diamond Sutra,. It is believed to have been printed in 868, and consistingconsists of seven sheets of paper forming a scroll of 16 inches long and 12 inches wide.

The spread of woodblock printing stimulated the paper industry, with different types of papers for different purposes. The blocks were commonly manufactured from date or pear trees. Despite the importance of woodblock printing to the spread of information and commercial transactions in China, it was time consuming, and. byBy 1041 and 1048 CE, Bi Sheng, a common man and experienced woodblock printer, is said to have developed moveable-type printing.

The development was written about by Song dynasty scientist Shen Kuo, where he described Bi Sheng making one clay type for each linguistic character, with a layer orof resin, wax, and paper ash mix placed on the bottom of an open iron box to hold the type characters facing up. The wax was heated and a board was pressed to ensure the typeface was level. These clay typefaces were inked, and then printed in a fashion similar to woodblock printing, except the clay types could be disassembled and reused, and. theThe moveable-type printing process substantially reduced the printing time from several days to a matter of hours. However, the thousands of ideograms in written Chinese still made the process not as efficient as it would prove to be in other language systems.

The next major development in moveable type came in the development of metal moveable type. This came around 1350, during the Goryeo Dynasty, when Korean ruler Tsai-Tung ordered Korean engravers to develop type from bronze, which represented anbronze—an improvement over clay due to its durability. The oldest known book to be printed using the technology was Jikji, which was an anthology of Buddhist teachings believed to be printed inaround 1377.

Johannes Gutenberg, in the 15thfifteenth century, was a German craftsman and inventor who originated a method of printing fromwith moveable type. This would prove to be a significant improvement over the manual printing used in China and Korea previously, and would integrate the use of moveable type. A political exile from Mainz, Germany, Gutenberg is believed to have begun experimenting with different types of printing in Strasbourg, France. Here, the earliest mention of mechanized printing press in Europe appears in a lawsuit from 1439, which revealed the construction of Gutenberg's press, which owed its principles to the medieval paper press, which was, in turn, modeled off of the wine-and-olive press.

The Gutenberg press used a long handle, which turned a heavy wooden screw that exerted downward pressure against the paper, which was laid over the type mounted on a wooden platen. The press was able to produce 250 sheets per hour, printed on one side. The essential principles of the printing press would continue to be used for 300 years, able to produce 250 sheets per hour printed on one side. Although moveable type had previously been developed, and some believe Gutenberg was influenced by either examples or rumors of the technology spread from the silkSilk road,Road. Gutenberg designed a moveable type made from molten lead, in a replica casting process, wherein which letters were created in reverse in brass, and replicas made from these. This made the type available in large quantities. And the letters were fashioned to fit together uniformly, and to create level lines of letters and consistent columns.

Equally important was the ink developed by Gutenberg. Rather than using inks of the time, he developed an oil-based ink, which was made sufficiently thick to adhere to the metal type and transfer to vellum or paper in the new press. The invention of the printing press further reduced the time to print when compared to other moveable type printing methods, let alone when compared to popular contemporary European printing techniques, such as woodblock printingwoodblock-printing, letter stampingletter-stamping, or hand-copying books. The printing press has since been considered a history-changing invention, capable of making books more accessible and ushering in an information revolution.

Following the development of the printing press, and the spread of printing across Europe, there were further developments whichthat led to the form of the book as it is known. One of the earliest of these was the establishment of the Aldine Press in Venice in 1494. Established by Aldo Manuzio, or Aldus Manutius in Latin, the Aldine Press gained a reputation as one of the finest printers of the period, printing high quality and affordable editions of 127 works, primarily Latin and Greek classics, and dictionaries to help scholars understand and interpret the texts. To do so, Aldine Press employed scholars, such as Erasmus, who would have their works printed by Aldine Press when they moved to contemporary printing in modern languages.

Although the German-Swedish chemist is properly best remembered for the discoveries of oxygen, chlorine, and manganese, and other discoveries in chemistry and pharmacy, Carl Wilhelm Scheele played an important, if minor, role in the development of modern books. His discovery of chlorine, which when applied to the pages of a book would bleach and whiten the sheets of paper, created the white paper whichthat allowed the printed text to stand out in greater contrast.

Although it may be a minor development, prior to the 1820s, books were issued as unbound sheets or with disposable board covers. Customers would buy the book and often commissioned bindings for themselves, often matching other titles in their library. Instead of a cover, some publishers would protect the exterior with a blank page, sometimes called sometimes a bastard title.

The earliest version of the dust jacket was a slipcase, or sheath, first seen in the 18theighteenth century. These were small boxes open on one or both ends. It is likely the sheaths that gave rise to the idea of a detachable publisher's cover, especially as the sheath's function was to attract and protect the book. By the 1820s, publishers began encasing annuals and gift books in a sort of wrapping paper, printed with enough text to identify the volume. The use of the dust jacket werewas included for a gift book, bound in silk, entitled Friendship's Offering in 1829, and again for The Keepsake in 1833. These were still disposable covers, and. theThe first modern-style dust jacket was introduced in the 1830s, featuresfeaturing flaps, and beginningthe tobeginnings includeof decorative features, such as pictures, to draw a potential readersreader's eyes.

The penny dreadful emerged in the 1830s to cater to the increasingly literate working class,. andIt was made possible by technological advancedadvancements in printing and distribution. The height of the popularity of the penny dreadful (though it could be argued that they continue to circulate, if under a different name) came in the 1860s and 1870s when the small books papered newsstands.

Historians estimate there may have been as many as 100one hundred publishers in the business, paying authors by the line to write tales, and. theThe novels themselves would cost a penny, to make them as attractive and affordable as possible. Many of these books dealt with grim, gothic tales, folklore and ballads, and mystery stories, often being escapist in nature. The most popular of the stories could sell around 30,000 copies a week, but. whenWhen they began to target younger readers, itthey began to be swept up in a moral panic of the era, with critics of the time declaring the penny dreadful as the literature of "rascaldom," responsible for peopling Britain's prisons and penal colonies.

This led, by the 1870s, to raids from the police on the offices of publishers of penny dreadfuls, with newsagents and booksellers soon being persecuted for stocking under the Obscene Publications Act. According to moralists of the time, these books would lead young errand boys, sailors, and textile workers to be dissatisfied with their own lives, and making them yearn for wealth and adventure beyond their station, further leading to a glamorization of the criminal life.

During the early 20th century, with the rise in popularity of hardback books, the Boni brothers founded the Modern Library, which would evolve into Random House. The brothers observed some mistakes that printers made, and decided to develop a mail order book club with a yearly subscription, where they sent subscribers high quality literature in paperback form.

This led, by the 1870s, to raids from the police on the offices of publishers of penny dreadfuls, with newsagents and booksellers soon being persecuted for stocking under the Obscene Publications Act. According to moralists of the time, these books would lead young errand boys, sailors, and textile workers to be dissatisfied with their own lives and make them yearn for wealth and adventure beyond their station, further leading to a glamorization of the criminal life.

During the early twentieth century, with the rise in popularity of hardback books, the Boni brothers founded the Modern Library, which would evolve into Random House. The brothers observed some mistakes that printers made and decided to develop a mail order book club with a yearly subscription, where they sent subscribers high quality literature in paperback form.

Similarly, in 1935, brothers Allen, Richard, and John Lane founded Penguin Books in London. The brothers' immediate goal was to publish the best of modern literature on a massive scale and at a low price. The books were sold for a sixpence each, and were received with enthusiasm from the reading public, selling 150,000 copies within four days, and sales reachedreaching 1 million in four months. In 1946, little more than 10ten years after the launch, the firm would sell its hundredthhundred millionmillionth book.

TheseRandom twoHouse and Penguin were part of the development of the modern publishing industry. Arguably, this began in the 1500s in Europe, and other countries, when publishing houses began buying the copyrights to an author's work, which they then printed, distributed, and sold, returning royalties or other payments to the author depending on the agreement. Many copyright laws were developed in the 1800s, as the reduction in the cost of printing and distributing books led to many best-selling books to be copied and sold without due copyright. This led to many of the copyright laws whichthat underlie current laws and policies, and workedwork to protect authors, and publishers, from piracy and plagiarism.

With the development of new printing technologies, such as digital printing, the ability to self-publish for relatively small amounts of money has emerged as an efficient publishing model in the 21sttwenty-first century. While theThe concept is not new, with authorsnew—authors such as Benjamin Franklin and, William Blake, and Jane Austen turningturned to self-publishing, or vanity publishing as it was known, to publish theretheir works wherewhen a publisher would not. But the development has allowed for smaller print runs at similar, if not lower, costs when compared to traditional publishers. Examples of modern self-published titles that would prove popular include Fifty Shades of Grey by E.L. James and Martian by Andy Weir. Both would eventually be picked up by traditional publishers and distributors.

The digitization of books refers to the conversion of physical books into digital formats. It began in 1971, with the founding of Project Gutenberg, whose project was to develop a digital library to collect the full texts of books or individual stories in the public domain. This project offers users a chance to read the books in HTML, PDF, EPUB, MOBI, and Plucker. This was an early, and positive, step in the digitization of books, which refers to the conversion of physical books into digital formats. ThisDigitalization, as noted with Project Gutenberg, is generally done to enhance a book's reach by reproducing and distributing it in various digital spaces. It also allows a book to be formatted, searched, and processed by third-party applications.

Book digitization can allow educational institutions and libraries to enhance their collections, and allow teachers to offer different learning opportunities to students. This proved especially important during the lockdowns of the COVID-19 pandemic, when many students were unable to enter a library to get access to physical copies of a book.

Digitization has also been impactful in the publishing industry, both as traditional publishers have begun releasing books formatted for e-readers, and in the self-publishing industry, as individuals have a chance to reach a greater audience, and with less effort, than they would have publishing physical copies of a book. As well, for those self-publishing authors, digital publishing offers them a chance to put a book out without paying for the costs of physical copies.

A book is a medium for recording information in the form of writing or images, typically composed of many pages(made of papyrus, parchment, vellum, or paper) bound together and protected by a cover. The technical term for this physical arrangement is codex (plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page.As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and still considered as an investment of time to read. In a restricted sense, a book is a self-sufficient section or part of a longer composition, a usage reflecting that, in antiquity, long works had to be written on several scrolls and each scroll had to be identified by the book it contained. Each part of Aristotle's Physics is called a book. In an unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.The intellectual content in a physical book need not be a composition, nor even be called a book. Books can consist only of drawings, engravings or photographs, crossword puzzles or cut-out dolls. In a physical book, the pages can be left blank or can feature an abstract set of lines to support entries, such as in an account book, an appointment book, an autograph book, a notebook, a diary or a sketchbook. Some physical books are made with pages thick and sturdy enough to support other physical objects, like a scrapbook or photograph album. Books may be distributed in electronic form as ebooks and other formats.Although in ordinary academic parlance a monograph is understood to be a specialist academic work, rather than a reference work on a scholarly subject, in library and information science monograph denotes more broadly any non-serial publication complete in one volume (book) or a finite number of volumes (even a novel like Proust's seven-volume In Search of Lost Time), in contrast to serial publications like a magazine, journal or newspaper. An avid reader or collector of books is a bibliophile or colloquially, "bookworm". A place where books are traded is a bookshop or bookstore. Books are also sold elsewhere and can be borrowed from libraries. Google has estimated that by 2010, approximately 130,000,000 titles had been published. In some wealthier nations, the sale of printed books has decreased because of the increased usage of ebooks.

A book is often considered a medium for recording information. This can be in the form of writing or images on pages, and the book is composed of many pages, which can be made from papyrus, parchment, vellum, or paper, and bound together and protected by a cover. Generally a book is marked by a certain length of the written message it contains, and is intended for public circulation. And the book works to offer a portable and permanent way to trade information between individuals, and in so doing has a chance to transcend time and space to transmit that knowledge.

Example of a book.

Books have been a part of the preservation and dissemination of knowledge of every literate society in history. In saying that, the form, content, and provisions for making and distributing books have varied during their history, with only the variety of content matching the variety of form.

The word "book" comes from the Old English word boc, which means "writing or written document" and is believed to refer to the Proto-Germanic *bōk(ō)-, from *bokiz "beech". This is believed to refer to the notion of early Germanic writings on beechwood tablets, but could be for the tree itself and the beech tree barks resemblance to paper. This is similar to the French livre, from the Latin librum, which refers to the "inner bark of trees."

The original Old English word referred to any written document, with the sense gradually narrowing by the early Middle English to mean "a written work covering many pages fastened together and bound" and also any literary composition in any form. This narrowed explanation then later included any bound pages, whether written on or not, and extended to magazines in the 19th century and a telephone directory in the 20th century.

Books tend to be largely classified as either fiction or non-fiction. Within these types of books, there are dozens of more specific types or genres.

Non-fiction books are any books that contain factual information, or are intended to be factual in their content. This can include books such as biographies or history books. Other examples of non-fiction books can include non-fiction journals, such as The Diary of Anne Frank, dictionaries, encyclopedia, travel books, and "how to" books.

Fiction books are those that contain a story that is considered largely or completely made up, and although a fiction book may have elements of truth, such as true moments in history, or true facts, the focus of a fiction book is not to tell a truth or factual narrative such as non-fiction book, but rather is intended to tell a story that can exist in a true environment, and can even include true protagonists, but have in some elements either been exaggerated, elaborated, or fabricated. Classic examples of fiction include Ernest Hemingway's The Sun Also Rises, Harper Lee's To Kill a Mockingbird, and Zora Neale Hurston's Their Eyes Were Watching God.

The definition of the book has been challenged through the 21st century and the age of e-readers. These devices have an implicit argument in the act of digitizing a book and removing the bound text from the shelf to suggest it is as good as digital bits. This ignores the book as an object, rather than just the words and information inside them. And these objects are manufactured and owned, often marked by pencils, time, coffee cups, and oils from a reader's skin, giving the object a story of its own. The story of that object continues in the annotations or notes which tell a story of previous readers reading and understanding of the book.

Example of the wear and tear a book may experience.

The object of the book tells a second story, which can be rooted in the history of reading in the 19th century. This regards the pages, which have been prized at any point in history for scrap paper capable of being used to make a list as it has been for any literary value. While, through most of history, and especially at the beginning of the 19th century, paper was expensive, with the process of turning wood pulp into clean sheets not yet developed. However, through the 19th century paper got cheaper, and books got cheaper, and the objects gained popular and literary value.

Example of an inscribed book.

The object of the book, with the production of a book, the smell, texture, ease of reading, and the pride people take in a well stocked bookshelf, makes books more than a vessel for content, but an object with appeal. The form of the book, the size and shape, paper stock, printing, cover type, and binding create an appeal and an anticipation for a reader, with a certain ceremony around the purchasing, borrowing, or reception of a book.

Digital e-reader.

This is challenged, and largely ignored, by the increasing digitization of books, with the concept of a book further shifting from a physical object, to instead refer to a pattern of organization for the purposes of telling a story, or the organization of information for giving information a narrative. This is especially as books such as an encyclopedia, dictionary, thesaurus, travel book, or cookbook - many of the non-narrative non-fiction books - have been replicated with great success online, and reduced the usefulness and attractiveness of the printed version of these books. However, readers and individuals continue to prefer and to value the book as an object, as the ability for the object of a book to transcend time, which has not been done by digitized information in any meaningful way, continues to give the book a tangible value.

Books have been a part of human history and a tool for knowledge gathering and societies since the ancient times. These have been used to tell histories, stories, and share necessary information, with some of the oldest record keeping focused on taxes. Although the material and the form of books have changed over time, some of the oldest known "book-like" objects date back to the 4th millennium BCE.

Cuneiform tablet from Mesopotamia.

The earliest known writing that has survived comes from Mesopotamia, dating back to as far as the 7th century BCE. These were the first objects were ways of storing information and were clay tablets, on which they made markings using a triangle-ending instrument called the calamus, the stem of a reed plant sharpened to a point. The wedge-like writing created by the calamus, cuneiform, were etched into wet clay which were then dried through fire. More than 20,000 such tablets were found at Nineveh, modern Iraq, and were believed to have been part of the library and archive of the kings of Assyria. Tablets would remain a common writing tool until the 19th century (though some argue they are back) as they moved from clay tablets, to wax tablets which offered reusable writing faces, to chalk-board tablets.

A surviving fragment of a papyrus scroll.

Following Mesopotamia, and developing alongside the societies of the fertile valley, the Egyptians developed a different method of writing, with some historians believing this script was developed around 3000 BCE. Egyptians were found to have written on many different surfaces, including metal, leather, clay, stone, and bone. Most prominent was the practice of using reed pens to write on papyrus scrolls. Papyrus was an ideal material for Egypt of the time, as it was made using reeds which grew plentifully in the Nile Valley, and individual scrolls were found as long as 113 feet, often being 7 to 10 inches wide.

As writing and literacy grew across the Mediterranean, Egypt grew and maintained a monopoly over the papyrus trade. Many of the scrolls developed from these papyrus were housed in large libraries, which acted both as repositories of knowledge and displays of political power. However, as with most monopoly's, Egypt's peers began to grow tired. This, in part, led to the development of parchment, which was made from treated animal skins that were scraped into a thin, flexible, and even surface.

Example of an animal hide being prepared to be used for parchment.

Parchment had several advantages over papyrus: it was more durable, both sides could be written on, and it's trade wasn't monopolized by the Egyptians. The spread of parchment coincided with the development of one of the earliest analogues of the book. This came between the 2nd and 4th centuries, as Romans began sewing folded sheets of papyrus or parchment together, and binding those sheets between wooden covers. Called a codex, the object had a similar structure to modern books. At the time, the codex provided an easier to handle, more portable, and less expensive alternative to scrolls.

Example of an codex, the Khabouris Codex imaged above.

The scroll was a two-handed reading activity, often being laid out for a reader to scan through to find necessary information. Whereas the codex allowed a reader to flip between pages to find information, and it could be propped open in front of a reader, allowing the individual to take notes while reading. But scrolls continued to be in use for thousands of years. While the codex became the preferred form for early Christian texts, and the spread of Christianity has been given credit for the eventual dominance of the form of the codex.

Following the fall of the western Roman Empire, during the 5th century CE, and the dominance of "barbarian" cultures through the European continent, the existence of books in a large portion of the Christian world was considered to have been threatened. The church of the time withstood the perceived assaults, providing refuge for books, and offering a large readership as monks were generally literate, and are generally considered to have enjoyed reading books. The monasteries set up libraries to store books, and during this time historian and grammarian Cassiodorus, who served the Ostrogothic kings, retired from public life around 540 CE and found a monastery to establish a scriptorium in Vivarium.

The illuminated Ellesmere manuscript of Geoffrey Chaucer's The Canterbury Tales.

Here, he supervised the copying of books, wrote a guide to learning, composed works that presented writers as models, discussed rules for editing, and suggested procedures for establishing a scriptorium and a library. Following this and other examples, monastic houses throughout Europe and the Middle Ages had libraries and scriptoria where monks copied books to add to their collections. Often these scriptoriums were spare, often a single large rooms, and were often only used during daylight hours, without heat or artificial light from fears of fire. This was also the period where the illuminated manuscripts were developed.

A book would be handed to an illuminator who would supply any needed illustrations or decorative devices before the book was bound. The process was slow, with a monastic library with as many as 600 volumes considered large, while the ancient libraries were believed to have housed as many as 10,000 volumes. Illuminating a manuscript would include painted embellishments, illustrations, decorative capital letters, and ornate borders. The process of scholarship, and copying books, were considered by the monks of the Middle Ages to be a way to get closer to God, even if the works read and copied were secular works. Books during this period in Europe were so highly valued that some scribes placed "book curses" at the front of manuscripts to curse any who stole or defaced a copy.

The invention of paper was another important step in the historical development of the book, and for all human civilizations, as it offered a cheaper, and more easily manufactured material to print on compared to papyrus or parchment. The invention of paper came in China, with popular Chinese history pointing to the invention of paper in 105 CE, under the Han Dynasty emperor Ho-Ti, when a government official named Ts'ai Lun (Cai Lun) began making paper by mixing chopped mulberry bark and hemp rags with water, which was then laid out to dry in the sun with the water pressed out.

Earliest known paper fragment from Fangmatan, circa 179 BCE.

However, despite this narrative, there is archaeological evidence of primitive paper types from the 2nd century BCE in China, largely using hemp. It is considered that the invention of this early form of paper was accidental, with it being the result of clothes being left too long after washing and forming a residue which could be pressed into a new useful material. But following Ts'ai Lun's innovation, further experiments into the production of paper were undertaken, using the fibers of different plants, grasses, vegetable matter, hemp, and tree bark to find the cheapest mix of materials to produce quality paper.

Painting of the Battle of Talas, an important event in the spread of papermaking technology.

One such experimentation saw the use of rattan was replaced with bamboo fibers as the most common material, with the change dating to the 8th century CE, and one reason being the rattan plant was slow growing and had been wiped out in certain regions of China, while bamboo grew much faster than both rattan and hemp, another common raw material for paper production. The Chinese attempted to keep the secret of papermaking, similar to silk, but the secret was eventually leaked when a group of papermakers were taken prisoner by Arabs following the Battle of Talas. This turned Baghdad into a major producer of paper, and helped paper spread to Medieval Europe.

Example of a papermaking workshop from Europe, circa 1300s.

This occurred as Italians were able to bring paper-making technology from Egypt into Italy, around 1250 CE, and from there make and sell paper across Europe. The paper industry in Egypt and parts of Europe would be destroyed in the Black Death plague, which saw, around 1338 CE, French monks begin to make their own paper, using water wheels to power paper mills, further cheapening the paper production process. The production of paper continued to spread across Europe, with the early paper production beginning in Germany around 1411, where they produced paper from linen rags.

Around the time paper production was spreading across Europe, there is believed to have been another independent invention of paper. This occurred in the Aztec, around modern Mexico, where a similar paper product was made out of agave plant fibers. The paper production in the Aztec saw the development of books as well.

The next important development in the history of the book to come from China, from the Tang (618-906 CE) and Song (960-1279 CE) dynasties, respectively, was the invention of woodblock printing, and eventually of moveable type. Woodblock printing came, in part, from the development of and use of seals, which were used to make impressions of clay and silk, and the practice of taking rubbings from inscribed texts from bronze and stone reliefs. In woodblock printing, a carved wooden block would carve out a negative image of the text, which would be inked and, while the ink was wet, a piece of paper was laid over it. The printer would brush the back of the paper to cause the ink to imprint. This allowed for printing on only one side of a page.

The Diamond Sutra, considered one of the earliest printed books.

The invention of woodblock printing saw Buddhists printing all of their scriptures, an effort that required an approximate 130,000 woodblocks and took around 12 years to complete. As well, different texts spread around the nearby world, with a scroll Buddhist scroll discovered in Korea, likely printed in China around 704 and 751 CE. And, more of a technology development, was a Japanese text, dated to around 7640-770 CE, and commissioned by Empress Shotoku. One of the more famous printed documents, is considered one of the oldest books, the Diamond Sutra, believed to have been printed in 868, and consisting of seven sheets of paper forming a scroll of 16 inches long and 12 inches wide.

The spread of woodblock printing stimulated the paper industry, with different types of papers for different purposes. The blocks were commonly manufactured from date or pear trees. Despite the importance of woodblock printing to the spread of information and commercial transactions in China, it was time consuming, and by 1041 and 1048 CE, Bi Sheng, a common man and experienced woodblock printer, is said to have developed moveable-type printing.

Example of a clay moveable type printing process in China.

The development was written about by Song dynasty scientist Shen Kuo, where he described Bi Sheng making one clay type for each linguistic character, with a layer or resin, wax, and paper ash mix placed on the bottom of an open iron box to hold the type characters facing up. The wax was heated and a board was pressed to ensure the typeface was level. These clay typefaces were inked, and then printed in a fashion similar to woodblock printing, except the clay types could be disassembled and reused, and the moveable-type printing process substantially reduced the printing time from several days to a matter of hours. However, the thousands of ideograms in written Chinese still made the process not as efficient as it would prove in other language systems.

The Jikji, printed using metal moveable type.

The next major development in moveable type came in the development of metal moveable type. This came around 1350, during the Goryeo Dynasty, when Korean ruler Tsai-Tung ordered Korean engravers to develop type from bronze, which represented an improvement over clay due to its durability. The oldest known book to be printed using the technology was Jikji, which was an anthology of Buddhist teachings believed to be printed in 1377.

Johannes Gutenberg.

Johannes Gutenberg, in the 15th century, was a German craftsman and inventor who originated a method of printing from moveable type. This would prove to be a significant improvement over the manual printing used in China and Korea previously, and would integrate the use of moveable type. A political exile from Mainz, Germany, Gutenberg is believed to have begun experimenting with different types of printing in Strasbourg, France. Here, the earliest mention of mechanized printing press in Europe appears in a lawsuit from 1439, which revealed the construction of Gutenberg's press, which owed its principles to the medieval paper press, which was, in turn, modeled off of the wine-and-olive press.

Diagram of the mechanized printing press developed around 1439.

The press used a long handle, which turned a heavy wooden screw that exerted downward pressure against the paper, which was laid over the type mounted on a wooden platen. The essential principles of the printing press would continue to be used for 300 years, able to produce 250 sheets per hour printed on one side. Although moveable type had previously been developed, and some believe Gutenberg was influenced by either examples or rumors of the technology spread from the silk road, Gutenberg designed a moveable type made from molten lead, in a replica casting process, where letters were created in reverse in brass and replicas made from these. This made the type available in large quantities. And the letters were fashioned to fit together uniformly, and to create level lines of letters and consistent columns.

The Gutenberg Bible, considered one of the first books printed with Gutenberg's press.

Equally important was the ink developed by Gutenberg. Rather than using inks of the time, he developed an oil-based ink which was made sufficiently thick to adhere to the metal type and transfer to vellum or paper in the new press. The invention of the printing press further reduced the time to print when compared to other moveable type printing methods, let alone when compared to popular contemporary European printing techniques such as woodblock printing, letter stamping, or hand-copying books. The printing press has since been considered a history-changing invention, capable of making books more accessible and ushering in an information revolution.

The ability to easily and cheaply print books led to concerns that a greater distribution of ideas would threaten the power structures of Europe. This led to Pope Alexander VI, in 1501, to promise excommunication to anyone who printed manuscripts without the approval of the church. Books from John Calvin and Martin Luther, around twenty years later, proved Pope Alexander VI's fears. Gutenberg's printing press is believed to have been key to the cultural revolutions in Europe, including the Renaissance, the Reformation, and the Scientific Revolution, each which made use of recorded ideas cheaply printed and widely spread and contributed to the growth of literacy, education, and availability of information for ordinary people.

Example of a page in italic font from Aldine Press.

Following the development of the printing press, and the spread of printing across Europe, there were further developments which led to the form of the book as it is known. One of the earliest of these was the establishment of the Aldine Press in Venice in 1494. Established by Aldo Manuzio, or Aldus Manutius in Latin, the Aldine Press gained a reputation as one of the finest printers of the period, printing high quality and affordable editions of 127 works, primarily Latin and Greek classics, and dictionaries to help scholars understand and interpret the texts. To do so, Aldine Press employed scholars, such as Erasmus, who would have their works printed by Aldine Press when they moved to contemporary printing in modern languages.

These texts were printed and bound in vellum, which allowed them to make the texts more affordable, and they were printed in a small "pocketbook" size.. Further, the Aldine Press has been credited with the development of italic font, which was used to squeeze more words on a page, and the widespread use of the semicolon.

Although the German-Swedish chemist is properly best remembered for the discoveries of oxygen, chlorine, and manganese, and other discoveries in chemistry and pharmacy, Carl Wilhelm Scheele played an important, if minor, role in the development of modern books. His discovery of chlorine, which when applied to the pages of a book would bleach and whiten the sheets of paper, created the white paper which allowed the printed text to stand out in greater contrast.

Although it may be a minor development, prior to the 1820s books were issued as unbound sheets or with disposable board covers. Customers would buy the book and often commissioned bindings for themselves, often matching other titles in their library. Instead of a cover, some publishers would protect the exterior with a blank page, called sometimes a bastard title.

Example of an early, plain, dust jacket.

The earliest version of the dust jacket was a slipcase, or sheath, first seen in the 18th century. These were small boxes open on one or both ends. It is likely the sheaths that gave rise to the idea of a detachable publisher's cover, especially as the sheath's function was to attract and protect the book. By the 1820s, publishers began encasing annuals and gift books in a sort of wrapping paper, printed with enough text to identify the volume. The use of the dust jacket were included for a gift book, bound in silk, entitled Friendship's Offering in 1829, and again for The Keepsake in 1833. These were still disposable covers, and the first modern-style dust jacket was introduced in the 1830s, features flaps, and beginning to include decorative features, such as pictures to draw a potential readers eyes.

The dust jacket would not rise to prominence until the 1920s, when a change in attitude among publishers occurred, and they began emphasizing the dust jacket instead of the bindings. Around this time, the attitude of book purchasers saw the popularity of hardbound books, which included dust jackets, with people preferring to buy these expensive books over a paperback counterpart.

The penny dreadful emerged in the 1830s to cater to the increasingly literate working class, and made possible by technological advanced in printing and distribution. The height of the popularity of the penny dreadful (though it could be argued they continue to circulate, if under a different name) came in the 1860s and 1870s when the small books papered newsstands.

Example of a penny dreadful.

Historians estimate there may have been as many as 100 publishers in the business, paying authors by the line to write tales, and the novels themselves would cost a penny to make them as attractive and affordable as possible. Many of these books dealt with grim, gothic tales, folklore and ballads, and mystery stories, often being escapist in nature. The most popular of the stories could sell around 30,000 copies a week, but when they began to target younger readers, it began to be swept up in a moral panic of the era, with critics of the time declaring the penny dreadful as the literature of "rascaldom" responsible for peopling Britain's prisons and penal colonies.

This led, by the 1870s, to raids from the police on the offices of publishers of penny dreadfuls, with newsagents and booksellers soon being persecuted for stocking under the Obscene Publications Act. According to moralists of the time, these books would lead young errand boys, sailors, and textile workers to be dissatisfied with their own lives, and making them yearn for wealth and adventure beyond their station, further leading to a glamorization of the criminal life.

During the early 20th century, with the rise in popularity of hardback books, the Boni brothers founded the Modern Library, which would evolve into Random House. The brothers observed some mistakes that printers made, and decided to develop a mail order book club with a yearly subscription, where they sent subscribers high quality literature in paperback form.

Examples of the Penguin Book covers from 1935.

Similarly, in 1935, brothers Allen, Richard, and John Lane founded Penguin Books in London. The brothers immediate goal was to publish the best of modern literature on a massive scale and at a low price. The books were sold for a sixpence each, and were received with enthusiasm from the reading public, selling 150,000 copies within four days, and sales reached 1 million in four months. In 1946, little more than 10 years after the launch, the firm would sell its hundredth million book.

These two were part of the development of the modern publishing industry. Arguably, this began in the 1500s in Europe, and other countries, when publishing houses began buying the copyrights to an author's work, which they then printed, distributed, and sold, returning royalties or other payments to the author depending on the agreement. Many copyright laws were developed in the 1800s, as the reduction in the cost of printing and distributing books led to many best-selling books to be copied and sold without due copyright. This led to many of the copyright laws which underlie current laws and policies, and worked to protect authors, and publishers, from piracy and plagiarism.

Example of a self-published book from the early 21st century.

With the development of new printing technologies, such as digital printing, the ability to self-publish for relatively small amounts of money has emerged as an efficient publishing model in the 21st century. While the concept is not new, with authors such as Benjamin Franklin and William Blake and Jane Austen turning to self-publishing, or vanity publishing as it was known, to publish there works where a publisher would not. But the development has allowed for smaller print runs at similar, if not lower, costs when compared to traditional publishers. Examples of modern self-published titles that would prove popular include Fifty Shades of Grey by E.L. James and Martian by Andy Weir. Both would eventually be picked up by traditional publishers and distributors.

The digitization of books began in 1971 with the founding of Project Gutenberg, whose project was to develop a digital library to collect the full texts of books or individual stories in the public domain. This project offers users a chance to read the books in HTML, PDF, EPUB, MOBI, and Plucker. This was an early, and positive, step in the digitization of books, which refers to the conversion of physical books into digital formats. This, as noted with Project Gutenberg, is generally done to enhance a book's reach by reproducing and distributing it in various digital spaces. It also allows a book to be formatted, searched, and processed by third-party applications.

Book digitization can allow educational institutions and libraries enhance their collections, and allow teachers to offer different learning opportunities to students. This proved especially important during the lockdowns of the COVID-19 pandemic, when many students were unable to enter a library to get access to physical copies of a book.

Digitization has also been impactful in the publishing industry, both as traditional publishers have begun releasing books formatted for e-readers, and in the self-publishing industry, as individuals have a chance to reach a greater audience, and with less effort, than they would have publishing physical copies of a book. As well, for those self-publishing authors, digital publishing offers them a chance to put a book out without paying for the costs of physical copies.

A book is a medium for recording information in the form of writing or images, typically composed of many pages(made of papyrus, parchment, vellum, or paper) bound together and protected by a cover. The technical term for this physical arrangement is codex (plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page.As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and still considered as an investment of time to read. In a restricted sense, a book is a self-sufficient section or part of a longer composition, a usage reflecting that, in antiquity, long works had to be written on several scrolls and each scroll had to be identified by the book it contained. Each part of Aristotle's Physics is called a book. In an unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.The intellectual content in a physical book need not be a composition, nor even be called a book. Books can consist only of drawings, engravings or photographs, crossword puzzles or cut-out dolls. In a physical book, the pages can be left blank or can feature an abstract set of lines to support entries, such as in an account book, an appointment book, an autograph book, a notebook, a diary or a sketchbook. Some physical books are made with pages thick and sturdy enough to support other physical objects, like a scrapbook or photograph album. Books may be distributed in electronic form as ebooks and other formats.Although in ordinary academic parlance a monograph is understood to be a specialist academic work, rather than a reference work on a scholarly subject, in library and information science monograph denotes more broadly any non-serial publication complete in one volume (book) or a finite number of volumes (even a novel like Proust's seven-volume In Search of Lost Time), in contrast to serial publications like a magazine, journal or newspaper. An avid reader or collector of books is a bibliophile or colloquially, "bookworm". A place where books are traded is a bookshop or bookstore. Books are also sold elsewhere and can be borrowed from libraries. Google has estimated that by 2010, approximately 130,000,000 titles had been published. In some wealthier nations, the sale of printed books has decreased because of the increased usage of ebooks.